On Thursday, February 5 at 6:00 pm, a roundtable discussion titled Margarita x Margarita: Spoken Texts, Written Texts will take place at the MALBA Library, as part of the exhibition Margarita Paksa. Corresponding Ideas. 1964–1984.
The event offers an approach to Margarita Paksa as a writer and thinker, drawing on her oral and written texts from the 1960s to the 1990s, in dialogue with her artistic practice, language, technology, and the political context.
Participants include Teresa Riccardi and Daniel Quiles. Admission is free with prior registration.
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Between 11 February and 8 June, the Museo Reina Sofía presents Viva el arte vivo, an exhibition that revisits the radical and experimental figure of Alberto Greco (Buenos Aires, 1931 – Barcelona, 1965), a key figure in the artistic avant-garde of Argentina and Spain.
An Informalist painter, poet, performer, and queer flâneur, Greco turned his own life into a work of art through public actions, traveling exhibitions, and media gestures. The exhibition traces his production between 1949 and 1965—paintings, writings, collages, drawings, actions, and his novel Besos brujos—and revisits his proclamation of “living art,” a practice that sought to integrate everyday life into art through ephemeral performances, the signing of people and places, and urban declarations that left a particularly strong imprint on Madrid.
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The exhibition “Puls Andán: When Latin America Beat at the Heart of Paris” brings together, for the first time, the work of two key Argentine artists who lived and worked in Paris: painter and musician Héctor García Miranda and sculptor Alicia Penalba. The exhibition is on view at Galería del Infinito in Buenos Aires.
The show juxtaposes García Miranda’s kinetic paintings with collages, sculptural prototypes, and previously unseen archival materials by Penalba. It also includes rare filmed footage of the Andean music group Los Calchakis performing in Penalba’s Paris studio during the 1960s.
Curated by Javier Villa, the exhibition revisits a fertile moment of artistic exchange in which abstraction, music, and Latin American identity converged within the vibrant cultural scene of Paris. The project highlights how both artists transformed experiences of displacement and cultural memory into rhythm, form, and movement.
“Puls Andán” offers a renewed perspective on this shared transatlantic dialogue, revealing how Latin American artistic sensibilities resonated at the core of European modernity.
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Alberto Greco: Viva el arte vivo — Exhibition at the Museo Reina Sofía (Madrid)
The Museo Nacional Centro de Arte Reina Sofía presents Alberto Greco. Viva el arte vivo, a retrospective exhibition devoted to Alberto Greco (Buenos Aires, 1931 – Barcelona, 1965), a pivotal figure of the experimental avant-garde and founder of arte vivo. The exhibition traces his brief yet intense career, understood as a wandering itinerary across cities and cultural scenes in which art and life deliberately merge.
The exhibition brings together works produced between 1949 and 1965, ranging from his early writings and Informalist painting—focused on materiality, spills, and surface tension—to his actions and objets vivants, the drawings made in Madrid, and the collages the artist himself described as “self-promotional.” The exhibition also includes the novel Besos brujos, written shortly before his death.
At the core of the project is arte vivo (later also called vivo-dito), formulated by Greco in Paris in March 1962: a way of working that shifts the artwork toward the situational and the immediate. Under these premises, the artist “signed” people and everyday spaces, declared places to be works of art, and extended his practice to the street as a site of aesthetic invention.
The exhibition also highlights how this impulse continues in drawings and collages traversed by writing, references to popular culture and mass media, affective modulations, and records of the everyday, where urban wandering, pop gesture, and the intimate archive coexist.
Institutional Collaboration
For more than fifteen years, Galería Del Infinito has carried out sustained research into the work and thought of Alberto Greco. This work led in 2020 to the publication La aventura de lo real. Escritos de Alberto Greco, a volume that brings together previously unpublished texts by the artist and foregrounds his writing as a constitutive part of his practice.
Within this framework, Galería Del Infinito actively participates in the Museo Reina Sofía retrospective through a significant loan of artworks and archival materials, reaffirming its commitment to the research, conservation, and international dissemination of Greco’s legacy.
The Reina Sofía retrospective not only reappraises a fundamental artist of the twentieth century, but also re-signifies artistic practices that continue to fuel contemporary debates around action, the archive, and aesthetic experience. As a space committed to critical thinking and art history, we celebrate this international dialogue with a figure who has profoundly shaped the development of conceptual practices in art.
Practical Information
Dates: February 11, 2026 – June 8, 2026
Venue: Museo Reina Sofía — Sabatini Building, Floor 0 (Madrid)
Curated by: Fernando Davis
Organized by: Museo Reina Sofía
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Spectrum — Leo Battistelli
Galería Del Infinito presented Spectrum, a project by the artist Leo Battistelli (Rosario, 1972), within the framework of ESTE ARTE 2026, held at Pavilion VIK. The twelfth edition of the fair took place from January 4 to 7, 2026.
In Spectrum, Battistelli conceives his practice as an attempt to manifest a primordial force that connects us to nature and to the worlds we inhabit. From the banks of the Paraná River to the Atlantic Forest of Rio de Janeiro, he understands nature as home, source of breath, and creative territory. His works seek to crystallize this bond: they function as bridges that expand perception, as symbolic shields against ignorance, and as activators of a sensibility capable of recognizing our interdependence with all beings and elements.
Battistelli produces his works using natural materials, unfolding an “alchemical” process in which water and earth are combined to shape objects that emerge from uniformity. Within this practice, he aims to capture an ephemeral instant that refers to the spiritual realm of symbolic exchange. His works evoke identity-based memories, rituals, and celebrations, and articulate a relationship with making in which the artist positions himself as a “deconstructor” of form—valuing errors and production slips as constitutive elements of the work itself.
Immersed in the Brazilian rainforest and permeated by the joy expressed in that culture, Battistelli allows himself to perceive the universe in new ways and to translate that experience into a material language that condenses, in each piece, a sensitive pursuit of beauty and balance.
Short Bio — Leo Battistelli
Leo Battistelli (1972, Rosario, Argentina) holds a BA in Fine Arts with a specialization in Sculpture from the National University of Rosario and later specialized in ceramics at the atelier of sculptor Leo Tavella. He has exhibited since 1993 in Argentina, Brazil, the United States, and France. His work has been shown at institutions including Museo Juan B. Castagnino/MACRO (Rosario), Fundación Federico J. Klemm (Buenos Aires), Museo de Arte Latinoamericano de Buenos Aires (MALBA), Museu de Arte Moderna de São Paulo, Fundación PROA (Buenos Aires), and Centro Cultural Ricardo Rojas (Buenos Aires), among others. In 2013 he was selected by Chandon to create Temperantia, a site-specific installation for the 22nd edition of arteBA.
He has received the Konex Award (2022), the Petrobras arteBA Award (2004), the Federico Klemm Award (2001 and 2002), and the Argentine Association of Art Critics Award (2000), among others. His works are included in public and private collections such as Fundación Federico Jorge Klemm, MACRO, and MALBA. He currently lives and works in Rio de Janeiro, Brazil.
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Galería Del Infinito at ESTE ARTE 2026
Galería Del Infinito announces its participation in ESTE ARTE 2026, the international contemporary art fair to be held from January 4 to 7, 2026, at Pavilion Vik, José Ignacio, Uruguay.
As part of the fair’s public program, the gallery will present a guided tour with artist Leo Battistelli at its stand, within ESTE FOCUS | DEL INFINITO, scheduled for Tuesday, January 6, 2026, from 6:10 to 6:50 pm. The activity will be conducted in Spanish and is open to the public.
The presentation focuses on Battistelli’s recent body of work, Spectrum, a project that develops a sustained investigation into material processes and the relationship between artistic practice and natural environments. Drawing from different territories, his work emphasizes the use of organic materials and manual techniques as central components of its formal and conceptual structure.
With this participation, Galería Del Infinito continues its program of exhibiting and promoting contemporary artists within the regional art fair circuit.
Event details:
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Event: ESTE FOCUS | DEL INFINITO — Guided tour with Leo Battistelli
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Date and time: January 6, 2026 | 6:10–6:50 pm
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Location: Del Infinito stand, Pavilion Vik, José Ignacio, Uruguay
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Language: Spanish, open to the public
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Con Nuestros Continentes Errantes, Marcela Cabutti propone un gesto simbólico y material para volver a unir Sudamérica y África, territorios que alguna vez compartieron un mismo suelo.
With Nuestros Continentes Errantes, Marcela Cabutti proposes a symbolic and material gesture to reunite South America and Africa—territories that once shared the same landmass. Presented at the Origins Centre of the University of the Witwatersrand in Johannesburg as part of BIENALSUR, the exhibition draws on geological memory to reflect on the separation of the continents and the possibility of reunion among landscapes, histories, and cultures. The project continues an investigation initiated by the artist in La piedra que predice and articulates science, art, and embodied experience as tools of knowledge.
Curated by Clarisa Appendino and Tammy Hodgsfiiss, the exhibition takes as its point of departure the theory of continental drift and the studies of South African geologist Alexander du Toit, later revisited by Argentine geologist Dalla Salda. Building on these investigations—developed across Argentina, Uruguay, Namibia, and South Africa—Cabutti constructs a trajectory that links the Río de la Plata and Kalahari cratons, ancient foundations of Pangea and Gondwana, reinforcing a shared reading of the deep origins of both continents.
The exhibition brings together a range of interrelated formats: sculptural installations, photographs, sound works, drawings and cartographic archives, as well as editions and objects. Highlights include installations made with stones, soils, and ice; photographic series that explore the horizon as a point of contact between African and South American coastlines; sound works that register the “heartbeat” of the earth; drawings based on historical maps and vitrines with archival materials; and handcrafted editions that expand notions of circulation and drift.
Far from a purely scientific reading, Nuestros Continentes Errantes mobilizes drift as a political and cultural metaphor. Through performative gestures, historical references, and materials drawn from both territories, Cabutti invites a rethinking of imposed separations—geographical, colonial, and symbolic—and imagines new forms of connection between Africa and the Americas, where art emerges as a space of active memory, connection, and repair.
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Margarita Paksa · Corresponding Ideas 1964–1984
Until February 16, 2026
Opening: December 11, 7 pm — Level 1
Curator: Nancy Rojas
We are proud to accompany this major retrospective of Margarita Paksa (1932–2020), a historical artist represented by Galería Del Infinito and a key figure in conceptual and multimedia art in Argentina and Latin America.
A protagonist of the Argentine avant-garde of the 1960s, Paksa was closely connected to the Instituto Di Tella and the Tucumán Arde project. Her production spans sculpture, drawing, installations, multimedia, and video. She worked as a professor and researcher at CONICET, where she led projects on public art and internet art. She gave lectures in Argentina and abroad, and published numerous essays related to her multimedia practice. She received major awards and grants —including the Guggenheim Fellowship, Canada’s FRP Grant, the Fortabat Painting Prize, the Faena Art District Multimedia Prize, and the MNBA Leonardo Award— and took part in the 5th International Cairo Biennial. In 2012, a monograph on her work was published on the occasion of her retrospective at the Museo de Arte Moderno de Buenos Aires. Her works are held in major national and international collections and museums.
The exhibition brings together more than sixty works —graphic pieces, objects, installations, and archival materials— surveying two decades of experimentation and her contributions to new narratives of emancipation, social justice, and gender perspectives.
Malba will publish a bilingual book featuring essays by Nancy Rojas, Daniel Quiles, and writings by the artist herself. This edition offers a renewed and necessary reading of her work, reinstating her pioneering role in the development of conceptual and multimedia art in Latin America.
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Galería Del Infinito’s Perspective on the Tribute to Osvaldo Lamborghini
Within the framework of the tribute held at the Biblioteca Nacional Mariano Moreno to mark the 40th anniversary of Osvaldo Lamborghini’s death, Julián Mizrahi—director of Galería Del Infinito—took part in a panel bringing together specialists from the literary and artistic fields, dedicated to revisiting the author’s continued relevance and multifaceted body of work.
As highlighted by Clarín in its coverage of the event, Mizrahi shared a particular approach to Lamborghini that emerged from the field of visual arts. His interest was sparked by previous editorial work on Alberto Greco and by his connection with the Lamborghini Archive, opening a new phase for thinking about and reassessing the author’s visual production, which until now has been less widely disseminated than his literary work.
The article also underscores the challenges involved in introducing Lamborghini’s visual work into the contemporary art field: from the supports and materials he employed—many of them linked to popular or adult-circulation publications—to the curatorial decisions required for their exhibition. Lamborghini’s visual practice, the article notes, retains the same disruptive intensity that characterizes his writing.
For Mizrahi, this instance represents an opportunity for rediscovery: to immerse oneself once again in the author’s visual universe and to approach it with the perspective usually reserved for an emerging artist, allowing the works to activate new readings and contemporary dialogues. Forty years after his death, Lamborghini continues to generate resonances that extend beyond the literary sphere.
An Expanding Line of Work
At Galería Del Infinito, we continue to deepen the research, cataloguing, and exhibition of Osvaldo Lamborghini’s visual work, in close collaboration with the Lamborghini Archive. This joint effort is part of a broader commitment: to open the archives, revisit the intersections between word and image, and contribute to the circulation of renewed perspectives on one of the most powerful and singular figures in Argentine culture.
Source: Clarín Cultura’s coverage of the tribute to Osvaldo Lamborghini at the Biblioteca Nacional.
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Osvaldo Lamborghini—Argentine essayist, poet, and novelist, and one of the most controversial and singular figures of the 20th century—published three emblematic books during his lifetime.
In 1981, he chose to go into exile in Barcelona. There, confined to the apartment he shared with his last partner, Hanna Muck, he produced an extraordinary body of literary and visual work in an unprecedented burst of productivity. This tribute, marking 40 years since his death, seeks to honor his legacy by bringing together friends, writers, gallerists, archivists, and curators, who will reflect on his work and engage in conversation with the public.
Free admission.
We look forward to welcoming you.
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The plastic artist Axel Straschnoy presents on Saturday, May 20 at 4 pm, at PROA21 the project he made for the natural sciences department of the Perm Museum, in central Russia.
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Martin Reyna is part of the collective exhibition Marzo: Mujer, Memoria y Malvinas at La Casa de la Cultura del Fondo Nacional de las Artes in Buenos Aires, Argentina.
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Marcela Cabutti is part of the collective exhibition Del cielo a casa at the Museum of Latin American Art in Buenos Aires, Argentina.
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On Saturday, March 18, El coso will be screened in the Documentary Space Cycle at the Centro Cultural Recoleta. Tickets are available at Entradas BA website.
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Maleva: “In the six blocks of Quintana, we find foodie, bar and art gems worth visiting/ A wine bar in an oasis behind a hotel, an almost speakeasy restaurant, a “mate office” and a gallery that exhibits the most renowned contemporary artists, among other proposals”.
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Alberto Greco is part of the exhibition “Viva el arte vivo” at the Reina Sofía Museum in Madrid, Spain.
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Alberto Greco tours Argentina in the FOLA Itinerant Museum of Photography.
From January 18 to December 2023, the Latin American Photo Library will begin its tour in La Cumbre, passing through Carlos Paz to continue its itinerancy throughout the year, throughout the country.
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The Atchugarry Museum of Contemporary Art – MACA presents the great exhibition of Julio Le Parc. Quintessence, is a tribute to the renowned Argentine artist. The anthological exhibition traces his vast production from his first works created in Argentina in 1958 to his most recent creations, the product of his long creative career dedicated to research with light, painting, sculpture and participatory experiences.
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Marcela Cabutti presents her solo show ¡OPI! at the MAR Museum in Mar del Plata, Buenos Aires.
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Alberto Greco is part of the exhibition “Viva el arte vivo” at the Reina Sofía Museum in Madrid, Spain.
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Federico Manuel Peralta Ramos stars in the documentary directed by Néstor Frenkel.
Federico Manuel Peralta Ramos remains an enigma, fascinating and indecipherable. It is his own words that play with his multiple definitions, and those that the director exposes as part of his strategy to break away from convention, to get out of the attempt to definitively capture what is pure mystery.
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Estanislao Florido is part of the permanent collection of the MAC, for the work that was acquired at ArteBA 2021.
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Axel Straschnoy is part of the collective exhibition Naturalia et artificialia at Ipercubo Gallery, Milán, Italy.
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Esteban Pastorino is part of the collective exhibition Cities. Dream and dystopia at the Kirchner Cultural Center, Buenos Aires, Argentina.
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With his Series The Premian Projects, Axel Straschnoy is at the Nº4 2022 cover of the prestigious Ord&Bild publication.
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Marcela Cabutti presents her Solo Show Floating Explotions at Brick Museum, La Plata, Buenos Aires.
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Julio Le Parc received the Konex de brillante Award for the visual arts for the decade 2012-2021.
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Esteban Pastorino presents his Solo Show Illusory spaces at Tintorería Japonesa, Río Cuarto, Córdoba, Argentina.
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Marcela Cabutti presents Helecheros, solo show at Balcarce Museum.
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Esteban Pastorino presents Illusory spaces, solo show at Banco Nación gallery.
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Matilde Marín is part of the collective exhibition Pensamiento Situado at OdA, Buenos Aires, Argentina.
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Note by Mercedes Casanegra about Beto De Volder’s corpus of work for ArtNexus Magazine.
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With her video Río Frío II Matilde Marín is part of Geumgang Nature Art Buennale 2022, Republic of Korea.
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With her work 30 bat heads, Marcela Cabutti is part of the collective exhibition Espejismos. Un ensayo sobre los ‘90. Segunda parte at Cazadores Foundation with curatorship of Florencia Qualina.
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Fabiana Imola presents her solo show Isla Irupé at Diego Obligado art gallery, Rosario, Santa Fe. Text: Guillermo Fantoni.
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Marcela Cabutti is jury and invited artist in the context of the UNNE Award for Visual Arts 2022.
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Meridiano, the Argentine Chamber of Contemporary Art Galleries, with the support of Mecenazgo, presents NODO Gallery Circuit, an art and city experience that offers an agenda of exhibitions in 60 art galleries.
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Esteban Pastorino is part of Coalescencia, collective exhibition at Centro Cultural Rojas, Buenos Aires.
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Esteban Pastorino presents his Series Aéreas at Distrito Arcos, Buenos Aires, Argentina.
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Estanislao Florido is part of the Alberto J. Trabucco Painting Award 2020-22.
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Julio Le Parc, Clorindo Testa, Marcela Cabutti and Esteban Pastorino receive the Konex Prize for visual arts 2012-2021.
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Romina Ressia presents her solo show PAST PAST FUTURE PAST PRESENT
FUTURE FUTURE PRESENT PAST at The Photo Gallery Paffrath, Düsseldorf, Alemania.
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Clorindo Testa is part of the collective exhibition CAYC Chile | Argentina | 1973-1985-2022 at Museo Nacional de Bellas Artes Argentina with Museo Nacional de Bellas Artes Chile.
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Marcela Cabutti is part of the group show Tembe’y, orilla. Diálogo con el arte popular, indígena y contemporáneo de Paraguay at Corrientes City.
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Clorindo Testa is part of Grupo de los 5 group show at Jorge Mara – La Ruche gallery.
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Axel Straschnoy is part og Nanocosmic Investigations. The Exhibition, collective show between visual artists and scientists at Inter Arts Center, Malmö, Sweden.
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Julio Le Parc and Alberto Greco are part of L’Enciclopedia Dell’arte Contemporanea vol II. Treccani Institute, Italy.
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Estanislao Florido is part of Dislocations: Recomposition Exercises, curated by Jazmín Adler at Fundación Andreani.
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Estanislao Florido got the Estímulo Municipalidad de la Ciudad de Santa Fe Prix at the 98th Santa Fe Annual Salon, at the Rosa Galisteo Museum, with his work Monumentos, 2020.
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Marcela Cabutti Solo Show at Espacio Foto Arte & En las Musas, José Ignacio, Uruguay.
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Martín Reyna is part of the collective exhibition Extension du domaine de l’abstrait, with curatorship of Philippe Cyroulnik at Galerie Bessières, Chatou, France.
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Matilde Marín y Estanislao Florido are part of the collective exhibition Arte en juego. Una aproximación lúdica al arte argentino, at Fundación Proa with the curatorship of Rodrigo Alonso.
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Marcela Cabutti is part of De materias salvajes y misterios florales: poéticas botánicas, collective exhibition at MUSEOCAMPO Cañuelas, with curatorship of Patricia Rizzo.
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Federico Manuel Peralta Ramos and Matilde Marín are part of Simbiología. Artistic practices on a planet in emergency, group exhibition at the CCK curated by Valeria González, Claus, Curci and Méndez.
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Matilde Marín, Esteban Pastorino and Romina Ressia are part of the first traveling photography museum in Argentina presented by FOLA and the Arte x Arte Foundation.
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Esteban Pastorino has been selected at the 2021 Fundación Fortabat Award with his artwork Panorámica de Buenos Aires.
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The MAC Salta Museum adds to its collection a work by Estanislao Florido in te context of the Museums Acquisitions Program of arteBA 2021.
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The Argentinian galleries chamber celebrates its anniversary.
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“The edge of voices. Plural perspectives in Argentine contemporary art ”. Rome Art Week. Casa Argentina, Via Veneto 7, Rome. Curated by Ana Laura Espósito.
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Estanislao Florido and Esteban Pastorino participate at Aprendí que en un milímetro del cielo está todo el cielo, collective exhibition curated by Irene Gelfman.
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Romina Ressia’s Solo Show is Del Infinito’s proposal for BAphoto 2021.
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With Only a breeze sighed Matilde Marín is part of Ecos. Un mundo entre lo analógico y lo virtual. Group Show of BIENALSUR curated by Diana Wechsler at Jax District, Riyadh, Arabia Saudita.
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With Only a breeze sighed Matilde Marín is part of Paisaje en Foco. Miradas desde el presente. Group Show of BIENALSUR curated by Diana Wechsler.
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The Permian Extinction results from a residency carried out by Axel Straschnoy in the Perm Regional Museum and its collections in 2018.
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With Bat, 1997-2000, Marcela Cabutti is part of Pensar es un hecho revolucionario. Group Show of BIENALSUR curated by Diana Wechsler.
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Alberto Greco and Alberto Heredia are part of INVENTAR A LA INTEMPERIE. SEXUAL DISOBEDIENCES AND POLITICAL IMAGINATION IN CONTEMPORARY ART. Curator: Fernando Davis.
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Public presentation of the novel with the director of the gallery, Julián Mizrahi.
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Esteban Pastorino presents Photographs, Solo Show at Galerie Seippel, Cologne, Germany.
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The Maison Hermès in Ginza was intervened by the 92-year-old artist from Mendoza, who opens his first show in Japan.
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Matilde Marín presents together with the E-ditorial Bosquemadura the digital book Pharus, from the South to the North hemisphere.
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Axel Straschnoy presents Lights in the Landscape at Piippuhalli Museum, Savonranta, Finland.
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Esteban Pastorino is part of Punto de encuentro, group show at OdA with A Alkalay, F Barreda, A Solazzi, J Robirosa y S Mastai.
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Approach strategies in the Castagnino + Macro collection.
Fabiana Imola is part of this proposal that addresses some of the countless artistic strategies arranged in order to prevent the gaze, the body and the ideas from finding a fixed place where to place themselves. Contemporary collection: engraving, installation, painting, video.
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The exhibition Alberto Greco ¡Qué grande sos! is the result of one of the most importan investigation the Museo Moderno ever made.
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Beto De Volder is part of NEO POS, 50 years of geometric painting in Argentina 1970-2020, a group show by the renowned curator Rodrigo Alonso at the Museum of Contemporary Art in Buenos Aires.
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Marcela Cabutti is part of the 97th Santa Fe Annual Salon, at the Rosa Galisteo Museum, selected with her work Choques, 2017.
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Matilde Marín is part of the collective exhibition Transformación. La gráfica en Desborde, in the National Museum of Engraving, with his work Myths of Creation.
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Suspended Time is a publication of Matilde Marín and Manuela López Anaya Editions. The sixteen images included in this book belong to the photographic archive of the artist. The delicate poems that accompany the photographs of Suspended Time are by Adriana Almada.
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Marcela Cabutti launches three versions of the publication Barco Deseos, made in 2020, during confinement.
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Explorando la Colección #07 Alejandro Puente / Estanislao Florido.
Curator: Victoria Verlichak.
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Research, edition, introduction and notes: Paula Pellejero and Eduardo Pellejero.
Julián Mizrahi Editions.
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The Museo Nacional de Bellas Artes presents the short “Mal de Plata. Un film sobre el artista Federico Manuel Peralta Ramos”, by the director Juan Carlos Capurro.
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Martín Reyna is one of the eight artists who is part of the collective exhibition Champ Libre at the Clairefontaine Chapel Art Center, curated by Raphaël Ocampo.
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“Cosmovisión Natural” brings together 360° murals and installations by artists Marcela Cabutti, Paula Duró, Maximiliano Peralta Rodríguez and Michael Edwards (Yaikel), who propose a reflection on nature and the relationship we have with it.
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In celebration of the ninety years of the pioneer artist of kinetic art worldwide and his long and prolific international career dedicated to creation, 3 large exhibitions are held simultaneously in Buenos Aires.
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In the drawings he made in Madrid and Piedralaves between 1963 and 1964, Alberto Greco combined heterogeneous fragments and remnants of images and texts that press and involve antagonistic temporalities.
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“When you see the blue smoke of Ithaca” is the work presented by Matilde Marín, official guest of the XIII Havana Biennial 2019 in the edition entitled “The Construction of the Possible”.
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Exporando la Colección #2 Gyula Kosice / Marcela Cabutti.
Curator: Marina Oybin.
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We present the catalog for the exhibition Alberto Heredia. Text: Fernando García / Design: Andrés Sobrino / Photography: Cecilia Espinosa / Production: Galería Del Infinito / Staff: Estela Gismero, Julián Mizrahi, Melisa Boratyn, Mariel Renzullo.
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Del Infinito is pleased to announce that for the first time it will participate in the 8th edition of ArtsLibris, accompanying artist Matilde Marín who will present a selection of her books.
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Casa Daros presents Le Parc Lumiére, Julio Le Parc solo show, Río de Janeiro, Brazil.
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Julio Le Parc opens today Monday, February 25, 2013, the solo exhibition entitled Monographique at the Palais de Tokyo.
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