curatorial text

Rafael Cippolini

All in

More than ever, Laren is playing “all in”.

If his work was assimilating, in the last twenty years, all those ways that the nicoleño artist’s alien unconsciousness considered fundamental in his vision of the world (spaceships, national heroes, movie stars, haute-couture, beasts, money wheels, snowshoes, tennis, cellphones, geometric art, politicians, car doors and an exaggerated etcetera that would make even a distinguished classifier like John Wilkins dizzy), this time he plunged, with his usual impudence, into one of his biggest dreams: a casino as gigantic as a planet.

The classic by Robert Venturi and Denise Scott, Learning from All Things (although a more exact title would have been Learning from Las Vegas) comes to mind. Nobody disputes that this summit of architectural theory that the so-called “father of pop and postmodernism” wrote with his wife, divided the waters and founded – even without intending to do so – a new anthropological dimension. A great point of cultural concentration continues to be deduced from its pages.

But the Laren thing is another delusion. Even different from that of Bugsy Siegel, that mythical gangster (appropriately played by Warren Beatty) who recast the largest city in the state of Nevada.

Let’s review this scene: in the early 1990s, and in the face of malicious attacks by those who defined the production of Rojas’ artists as “light”, Gumier Maier shot a ta-te-ti of letters that doubled the bet: “Ours it is not light. It’s bright. ” The bright, of course, concentrates so many more proteins.

Laren not only assimilated this homophony, but raised it to runaway powers. With each new release, more shine, more givré, more star.

Of course, he doesn’t think at all about Warhol’s Brightness, but all the semiosis that erupts with what any casino represents.

It could not be otherwise, always attentive to the impeccable coherence of his career. If not a few of his biographers agree that the starting point of his aesthetic adventure begins with that great portrait of a tiger (symbol and sign of a supermarket with the same name in his hometown), painting on glass today owned by the Blanton Museum of Art , from Texas, this time her pupils stopped at the Trilenium Casino. That is, in another Tiger, this time a delta.

360º of a plan to conquer not only art.

A circle as perfect as the most characteristic of roulette wheels.

Undoubtedly, this is a sample for you to drop much more than a tab.

Benito Laren · 12.05.2012 - 22.06.2012

Casino

curatorial text

Rafael Cippolini

All in

exhibition

other exhibitions

Axel Straschnoy, Beto De Volder, Clorindo Testa, Emilio Pettoruti, Enio Iommi, Esteban Pastorino, Gyula Kosice, Manuel Espinosa, Marcela Cabutti, Matilde Marin, Rogelio Polesello, Romina Ressia, Romulo Macció · 12.12.2023 - 15.02.2024

Indefinit

Axel Straschnoy · 02.11.2023 - 29.12.2023

Brave the Heavenly Breezes

André Komatsu, Enio Iommi, Clorindo Testa · 23.08.2023 - 31.10.2023

Hiato

Mariela Vita · 12.07.2023 - 16.08.2023

GEJIGEJI

Polesello, Aizenbeg, Kosice, Vardanega, Le Parc, Iommi, Puente, Arden Quin, Espinosa, Demarco, Straschnoy, De Volder, Pastorino, Imola, Batistelli, Cabutti, Reyna · 09.02.2023 - 15.03.2023

Eléctrico/ ecléctico

Fabiana Imola & Aníbal Brizuela · 16.09.2022 - 02.12.2022

Inside, the shapes. They move alone

Romina Ressia · 09.06.2022 - 25.08.2022

Grow flowers

Martín Reyna · 11.03.2022 - 03.06.2022

Color in transit

Matilde Marín · 08.02.2022 - 02.03.2022

25FPS

Clorindo Testa · 11.11.2021 - 31.01.2022

Testa, projects and other games

Cabutti, De Volder, Reyna, Imola, Ventoso, Ressia. · 05.10.2021 - 22.10.2021

Group Show 2021 II

Matilde Marín · 23.07.2015 - 21.09.2015

Undetermined landscapes

Marcela Cabutti · 16.07.2021 - 22.09.2021

Balcarce, topographic memories of a landscape

Lila Siegrist · 26.06.2012 - 27.08.2012

Vikinga Criolla

Cárdenas, Imola, Marin, Res, Sommerfelt, Ventoso · 10.08.2012 - 11.10.2012

Morphological confrontations

Martin Reyna · 20.09.2012 - 20.11.2012

Reyna in the horizon of color

Romina Orazi · 04.12.2012 - 04.02.2013

Subject to infinite division

Aizenberg, Boto, Espinosa, Iommi, Lozza, Le Parc, Kosice, Silva, Tomasello, Vardánega · 01.06.2013 - 31.07.2013

Dimensional

Antoniadis, Marín · 07.09.2013 - 07.11.2013

Double contrast

Andrés Sobrino · 28.03.2013 - 30.05.2013

Andrés Sobrino

Antoniadis, Cabutti, Laren, Reyna, Florido, Sobrino, Straschnoy, Tarazona, Ventoso · 20.12.2013 - 15.02.2014

Universus

Elena Dahn · 25.03.2014 - 26.05.2014

Elena Dahn

Marcela Cabutti · 15.07.2014 - 15.09.2014

Finding meaning through shapes

Axel Straschnoy · 12.11.2014 - 19.01.2015

La Figure de la Terre

Fusilier, León, Quesada Pons y Vega · 15.03.2015 - 30.04.2015

Limbo

Luciana Levington · 28.05.2015 - 24.07.2015

Luciana Levinton

Leo Battitelli · 12.11.2015 - 12.01.2016

Gargalhadas

Hasper, Scafati · 10.02.2016 - 11.04.2016

Womens’ double

Axel Straschnoy · 12.05.2016 - 13.06.2016

Today, great tomorrow!, in the pines wind blows from the past.

Arden Quin, Boto, Demarco, Espinosa, Iommi, Le Parc, Lozza, Polesello, Puente, Silva, Testa, Tomasello · 07.06.2016 - 05.08.2016

Masters of the avant-garde

De Volder, Sobrino · 11.08.2016 - 10.10.2016

Andres Sobrino and Beto De Volder

Battistelli, Cabutti, Cacchiarelli, Sobrino, De Volder · 02.01.2017 - 28.02.2017

2017 Group Show

Fabiana Imola · 28.02.2017 - 14.04.2017

The forest, the rain and other scenes

Alberto Heredia · 06.09.2017 - 11.10.2017

Alberto Heredia

Federico Manuel Peralta Ramos · 31.10.2017 - 29.12.2017

Federico Manuel Peralta Ramos

Marcela Cabutti · 10.11.2017 - 31.01.2018

About the effective distance between objects

Luciana Rondolini · 15.02.2018 - 15.04.2018